Super Spreader
Glenn Walls. Super Spreader No 1. Mirror balls, chains, and vinyl floor. 2021. Dimensions variable.
Glenn Walls. Super Spreader No 2. Mirror balls, chains, and vinyl floor. 2021. Dimensions variable
Super – Perfect Lovers
Glenn Walls. Perfect Lovers. Mirror tiles, paint and chains. 2021
Glenn Walls. Perfect Lovers. Mirror tiles, paint and chains. 2021
Paper stack by Felix Gonzales Torres, “Untitled”. Simulated image.
Glenn Walls. Perfect Lovers. Mirror Tiles, paint and chains. 2021
Glenn Walls. Perfect Lovers. Mirror tiles, paint and chains. 2021
Gran Fury, Silence = Death, 1987. Exhibition copy. As shown at the Carpenter Centre in 2009. Neon sign, 48 1/4 x 76 1/2 in. Courtesy of Collection of the New Museum, New York, Purchased with funds from the William Olander Fund.
This is a simulated image.
Super – Overwhelming
Glenn Walls. Yeah its overwhelming, but what else can we do. Mirror perspex on board, painted wall. 2021
Words taken from MGMT song “Time to Pretend”.
A dollop of Modernism does everyone good.
A dollop of Modernism does everyone good. Digital Print, 2017. (Reworking of the work; Le Corbusier designed nothing for me. 2011).
The Death of Architecture (Superstudio: The Continuous Monument)
Glenn Walls. The Death of Architecture (Inspired by Superstudio, The Continuous Monument). Metal staples & Skateboard wheels. 2016
Glenn Walls. The Death of Architecture (Inspired by Superstudio, The Continuous Monument). Metal staples & Skateboard wheels. 2016
Superstudio, The Continuous Monument. Never constructed 1969 – 71
On top of the world… Il Monumento Continuo, a gridded structure that the Superstudio architects suggested would eventually cover the planet (Glancey, J. 2003).
The Death of Architecture (Part 4)
The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels
The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels
The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels
The Death of Architecture (Part 4) Mirrored perspex on wood.
The Death of Architecture (Part 4) Mirrored perspex on wood.
The Death of Architecture (Part 3)
The Death of Architecture (Part 3). Mirror perspex, Jelutong wood and wool rug
The Death of Architecture (Part 3). Mirror perspex, Jelutong and wool rug
The Death of Architecture (Part 3). Development work. Jelutong
The Death of Architecture (Part 3). Development work. Jelutong
The Death of Architecture (Part 3). Development work. Jelutong
Death of Architecture: Farnsworth House (Part 2)
Death of Architecture: Ludwig Mies van der Rohe, Farnsworth House (Part 2)
Humanising
Glenn Walls. Humanising Le Corbusier. Plan Voisin for Paris. 2014
Le Corbusier (Charles-Édouard Jeanneret). Plan Voisin for Paris. 1925.
Glenn Walls. Humanising Le Corbusier. Plan Voisin for Paris. 2014 The Plan Voisin is a solution for the center of Paris, drawn between 1922 and 1925 by Le Corbusier. The plan for 1925 seems to be a direct transposition of the diagram of Contemporary City for three million drawn in 1922. Included are buildings available in a regular orthogonal grid occupying a very important part of the right bank of the Seine. The space is highly structured with two new traffic arteries pierced through the city, one on the east-west, the other on a north-south. Their role is not limited to the organization of Paris, as were the advances of Haussmann: they pass through the fortifications and the suburban area. They have the ambition to link the capital to the four corners of the country, the major French and European cities. The crossroads at the intersection of these two avenues is the center of the plan, the center of the city in central France. (http://densityatlas.org/casestudies/profile.php?id=99)
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