Glenn Walls – SUPER MEAT DISCO GRID

You /

Posted in You by Super on June 14, 2020

Glenn Walls: YOU (Stolen Rocks). Mirror perspex, painted rocks. Dimensions variable. 2020

Glenn Walls: YOU (Stolen Rocks). Mirror perspex, painted rocks. Dimensions variable. 2020

Glenn Walls: YOU (Stolen Rocks). Painted rocks. Dimensions variable. 2020

New World Order /

Posted in New World Order by Super on June 14, 2020

Glenn Walls: New World Order. Mirror perspex, mirror tiles, skate wheels, carpet. 2020

Glenn Walls: New World Order. Mirror perspex, mirror tiles, skate wheels. 2020

Glenn Walls: New World Order. Mirror perspex, mirror tiles, skate wheels, carpet. 2020

Super Crushed /

Posted in Super crushed by Super on June 14, 2020
Glenn Walls. Super crushed. (Based on 60s Italian architecture group Superstudio, A Continuous Monument 1969).
Mirror Perspex, Silicone and clothing. Dimension variable. 2020

We don’t embroider cushions here

Posted in We don't embroider cushions here by Super on June 9, 2020
Glenn Walls. We don’t embroider cushions here. Bauhaus Carpet. Dimensions variable. 2020.
Glenn Walls. All power to you. (Based on Eileen Gray, Rivoli Table, 1928). Steel and wood. Dimensions variable. 2020. Contains Le Corbusier mural that he painted on Gray’s E1027 house between 1938 – 39.

Eileen Gray Vs Le Corbusier

E1027 was the first architectural work of the designer Eileen Gray, completed in 1929 when she was 51 years old. Gray talked of creating “a dwelling as a living organism” serving “the atmosphere required by inner life”. “The poverty of modern architecture,” she said, “stems from the atrophy of sensuality.” She criticised it for its obsession with hygiene: “Hygiene to bore you to death!”

E1027, which was built for Gray and her lover, Jean Badovici, grows from furniture into a building. She created a number of pieces of loose and built-in furniture for the house and installed others that she had previously designed, always with close attention to their interaction with the senses and the human body. She created a tea trolley with a cork surface, to reduce the rattling of cups, another trolley for taking a gramophone outside, and the E1027 table, whose height can be adjusted to suit different situations

Long after Eileen Gray left the villa in 1932, Le Corbusier spent a few days there in 1937, 1938 and 1939. In April 1938, encouraged by Jean Badovici, he painted two murals in the villa and returned the following year to paint another five. He said, “I am dying to dirty the walls: ten compositions are ready, enough to daub the whole lot”. According to her biographers, Eileen Gray didn’t think much of these paintings. In 1949 Badovici threatened to remove them. Several paintings that had been damaged during the war were restored by Le Corbusier himself in 1949 and again in 1963. Three of them, however, have disappeared. Those that have been preserved have since been restored or are under restoration.

Reference: https://capmoderne.com/en/lieu/la-villa-e-1027/ https://www.theguardian.com/artanddesign/2015/may/02/eileen-gray-e1027-villa-cote-dazur-reopens-lost-legend-le-corbusier

Gray Rivoli 1
Eillen Gray Prefect companion

Left: Eileen Gray. Rivoli table, 1928.
Right: Glenn Walls. Perfect companion. (Based on Eileen Gray, Rivoli Table, 1928). Steel and wood. Dimensions variable. 2020. Contains Le Corbusier mural that he painted on Gray’s E1027 house between 1938 – 39.
Glenn Walls. Perfect sinners. (Based on Eileen Gray, Rivoli Table, 1928). Steel and wood. 2020.
Glenn Walls. The most common way people give up their power is by thinking they don’t have any – Alice Walker. Perspex on wood (book cover). 29 x 42 cms. 2020.
Glenn Walls. E 1027 Vandal. (Based on Eileen Gray E 1027 house, 1926). Video (endless loop). 2020.

Glenn Walls. Perfect lovers. (Based on Eileen Gray, Rivoli Table, 1928). Steel and wood. Dimensions variable. 2020.

Super Glory Hole

Posted in Super Glory Hole by Super on June 8, 2020

glenn_walls_27

Glenn Walls. Glory hole. Superstudio. Perspex and wood. Dimensions variable, 2020. Based on 1960s Italian architectural group The Continuous Monument, 1969

 

glenn_walls_28

Glenn Walls. Glory hole. Superstudio. Perspex and wood. Dimensions variable, 2020. Based on 1960s Italian architectural group The Continuous Monument, 1969

 

glenn_walls_29

Glenn Walls. Glory hole. Superstudio. Perspex and wood. Dimensions variable, 2020. Based on 1960s Italian architectural group The Continuous Monument, 1969