Modern Art for Government Offices
Modern Art for Government Offices. Architecture & Art Magazine covers. Australia 1960s
Modern Art for Government Offices. Architecture & Art Magazine covers. Australia 1960s
Modern Art for Government Offices. (Sydney Opera House. Lend Lease Corporation Ltd redevelopment proposal by architects Roy Grounds, Robin Boyd & Frederick Romberg for Sydney historic Rock’s area. Bates, Smart & McCutcheon, South British Insurance Company Building. Architecture & Art Magazine cover. Australia May 1962.
Modern Art for Government Offices. (Jeffrey Howlett & Don Bailey. Council House, Perth. Architecture & Art Magazine. 1961). Digital Print, Perspex. 2017. Opened in 1963 by the Queen. Remodelled and updated with Asbestos removed in 1999. Heritage listed in 2006.
Modern Art for Government Offices. (Bates, Smart & McCutcheon, South British Insurance Company Building. Queen St, Melbourne. 1961. Photo: Wolfgang Sievers) Architecture & Art Magazine cover. Australia 1961.
In the foreground and further along the Pearl Assurance Building and the RACV Building
Modern Art for Government Offices. (Warrigah Mall Regional Shopping Centre. Architects: Alexander Kann, Finch and Associates. Opened April 1963. Redeveloped numerous times beyond recognition). Architecture & Art Magazine cover. Australia June 1963.
Modern Art for Government Offices. (Southern Cross Hotel, Melbourne. Welton Becket and Associates in partnership with Leslie M Perrott & Partners. Architecture & Art Magazine. 1962). Digital Print, Perspex. 2017. Hotel demolished.
Modern Art for Government Offices. Architecture & Art Magazine covers. Australia 1960s
Modern Art for Government Offices (Harry Seidler, Blues Point Tower. Architecture & Art Magazine cover. July 1962. Photo Max Dupain). Digital Print. Perspex. 2017
Blues Point Tower is considered by many Sydney residents to be inconsistent with its surrounding buildings and cityscape. Over time, many public figures have criticised it, or even called for its demolition. However, in 1993, North Sydney Council added the building to its local heritage register.
The Death of Architecture (Part 4)
The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels
The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels
The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels
The Death of Architecture (Part 4) Mirrored perspex on wood.
The Death of Architecture (Part 4) Mirrored perspex on wood.
The Death of Architecture (Part 3)
The Death of Architecture (Part 3). Mirror perspex, Jelutong wood and wool rug
The Death of Architecture (Part 3). Mirror perspex, Jelutong and wool rug
The Death of Architecture (Part 3). Development work. Jelutong
The Death of Architecture (Part 3). Development work. Jelutong
The Death of Architecture (Part 3). Development work. Jelutong
Death of Architecture: Farnsworth House (Part 2)
Death of Architecture: Ludwig Mies van der Rohe, Farnsworth House (Part 2)
The Death of Architecture. Superstudio (Part 1)
Super Suspended 2. Mirrored tiles, skate wheels, various materials. 2016
Based on the Continuous Monument by Superstudio. Background taken from Cite de I’Architecture et du Patrimoine.
I am Australian 2015
I am Australian. Acrylic on wood . 29 x 42 cms each panel. 2015
How to avoid everything
How to avoid everything booklet
Glenn Walls, How to avoid everything, Yellow booklet, Perspex,
10 x 15 cms, 2014
leave a comment