Glenn Walls

National Pride

Posted in National Pride, Uncategorized by Glenn Walls on October 1, 2017

6. National Pride

National Pride. Acrylic Perspex. 59 cms diameter, 2017.

“It’s not a house, it’s a home”, “Tell him he’s dreaming” and “The law of bloody common sense” are taken from the 1997 Australian movie, “The Castle”.

7. National Pride

National Pride. Acrylic Perspex. 59 cms diameter, 2017.

“It’s not a house, it’s a home”, “We could chat for hours” and “How’s the serenity” are taken from the 1997 Australian movie, “The Castle”.

A Dollop of Modernism does everybody good (Barcelona Pavilion)

Posted in A dollop of Modernism does everybody good (Barcelona), Uncategorized by Glenn Walls on August 30, 2017

A dollop 1

A dollop of Modernism does everybody good. Digital Print, 2017. Photographed on location at Ludwig Mies van der Rohe, Barcelona Pavilion, Barcelona, Spain. 2017.

A dollop 2

A dollop of Ludwig Mies van der Rohe does everybody good. Digital Print, 2017. Photographed on location at Ludwig Mies van der Rohe, Barcelona Pavilion, Barcelona, Spain. 2017.

A dollop 11

A dollop of Modernism does everybody good. Digital Print, 2017. Photographed on location at Ludwig Mies van der Rohe, Barcelona Pavilion, Barcelona, Spain. 2017.

Modern Art for Government Offices

Posted in Modern Art for Government Offices, Uncategorized by Glenn Walls on March 5, 2017

5. Modern art for government officersModern Art for Government Offices. Architecture & Art Magazine covers. Australia 1960s

AA 16

Modern Art for Government Offices. Architecture & Art Magazine covers. Australia 1960s

AA 11

Modern Art for Government Offices. (Sydney Opera House. Lend Lease Corporation Ltd redevelopment proposal by architects Roy Grounds, Robin Boyd & Frederick Romberg for Sydney historic Rock’s area. Bates, Smart & McCutcheon, South British Insurance Company Building.  Architecture & Art Magazine cover. Australia May 1962.

AA 12

Modern Art for Government Offices. (Jeffrey Howlett & Don Bailey. Council House, Perth. Architecture & Art Magazine. 1961). Digital Print, Perspex. 2017. Opened in 1963 by the Queen. Remodelled and updated with Asbestos removed in 1999. Heritage listed in 2006.

AA 10

Modern Art for Government Offices. (Bates, Smart & McCutcheon, South British Insurance Company Building. Queen St, Melbourne. 1961. Photo: Wolfgang Sievers) Architecture & Art Magazine cover. Australia 1961.

In the foreground and further along the Pearl Assurance Building and the RACV Building

AA 13

Modern Art for Government Offices. (Warrigah Mall Regional Shopping Centre. Architects: Alexander Kann, Finch and Associates. Opened April 1963. Redeveloped numerous times beyond recognition). Architecture & Art Magazine cover. Australia June 1963.

AA 14

Modern Art for Government Offices. (Southern Cross Hotel, Melbourne. Welton Becket and Associates in partnership with Leslie M Perrott & Partners. Architecture & Art Magazine. 1962). Digital Print, Perspex. 2017. Hotel demolished.

modern-art-for-govt-1

Modern Art for Government Offices. Architecture & Art Magazine covers. Australia 1960s

Arts & Architecture 9

Modern Art for Government Offices (Harry Seidler, Blues Point Tower. Architecture & Art Magazine cover. July 1962. Photo Max Dupain). Digital Print. Perspex. 2017

Blues Point Tower is considered by many Sydney residents to be inconsistent with its surrounding buildings and cityscape. Over time, many public figures have criticised it, or even called for its demolition. However, in 1993, North Sydney Council added the building to its local heritage register.

Stop Being Poor

Posted in Stop Being Poor, Uncategorized by Glenn Walls on February 26, 2017

stop-being-poor-frame-2

Stop Being Poor (Paris Hilton). Digital Print, 2017

gallery-1

Stop Being Poor (Paris Hilton). Digital Print, 2017

The Death of Architecture (Part 4)

Posted in Uncategorized by Glenn Walls on July 26, 2016

Death 36

The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels

Death 61

The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels

Death 65

The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels

The Death of Architecture 1

The Death of Architecture (Part 4) Mirrored perspex on wood.

The Death of 3

The Death of Architecture (Part 4) Mirrored perspex on wood.

The Death of Architecture (Part 3)

Posted in The Death of Architecture (Part 3), Uncategorized by Glenn Walls on July 26, 2016

Death 5

The Death of Architecture (Part 3). Mirror perspex, Jelutong wood and wool rug

Death 50

The Death of Architecture (Part 3). Mirror perspex, Jelutong and wool rug

1

The Death of Architecture (Part 3). Development work. Jelutong

2

The Death of Architecture (Part 3). Development work. Jelutong

4

The Death of Architecture (Part 3). Development work. Jelutong

Death of Architecture: Farnsworth House (Part 2)

Posted in Death of Architecture: Farnsworth House (Part 2), Uncategorized by Glenn Walls on March 14, 2016

Farnsworth House Final

Death of Architecture: Ludwig Mies van der Rohe, Farnsworth House (Part 2)

The Death of Architecture. Superstudio (Part 1)

Superstudio Cite 5

Super Suspended 2. Mirrored tiles, skate wheels, various materials. 2016

Based on the Continuous Monument by Superstudio. Background taken from Cite de I’Architecture et du Patrimoine.

I am Australian 2015

Posted in Uncategorized by Glenn Walls on May 7, 2015

I am Australian 1

I am Australian. Acrylic on wood . 29 x 42 cms each panel. 2015

How to avoid everything

Posted in Uncategorized by Glenn Walls on February 6, 2014

How to avoid everything booklet

How to yellow 2

How to avoid everything booklet 1

How to avoid everything booklet 2

Glenn Walls, How to avoid everything, Yellow booklet, Perspex,

10 x 15 cms, 2014

Nothing for me. Part 2

Posted in Uncategorized by Glenn Walls on October 14, 2013

Villa Savoye 8.1

Glenn Walls. Modernist architecture is a lie.

Le Corbusier & Pierre Jeanneret, Villa Savoye, 1928 – 31, Digital Print  2013.

Shot on location at Le Corbusier & Pierre Jeanneret, Villa Savoye. Poissy, France. September 2013.

BC 8

Glenn Walls. Ludwig Mies van der Rohe designed nothing for me.

Ludwig Mies van der Rohe, Barcelona Pavilion, 1929.

Shot on location at Ludwig Mies van der Rohe, Barcelona Pavilion. Barcelona, Spain. September 2013.

Villa Savoye 12

Glenn Walls. Le Corbusier designed nothing for me.

Le Corbusier & Pierre Jeanneret, Villa Savoye, 1928 – 31.

Shot on location at Le Corbusier & Pierre Jeanneret, Villa Savoye. Poissy, France. September 2013.