Glenn Walls

Stop Being Poor

Posted in Stop Being Poor by Glenn Walls on May 13, 2017

Donald Trump 3

Stop Being Poor, 2017. Mirror plinth, mirror perspex, yellow paint, wood. mixed media

Why Bother

Posted in Why Bother by Glenn Walls on April 23, 2017

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Why Bother. (Woman’s Nike Sky Dunk Hi Essential). Jelutong wood, mirror perspex, yellow paint. 2017

Retrospective

Posted in Retrospective by Glenn Walls on March 27, 2017

Artbank 1

Dual Meaning of Things, 2009. Exhibited at Westspace Sept 2009. Part of the Superlost series.

Artbank 2Prototype for Sophisticated Living No 1. Mirror tiles, wood, skateboard woods. 65 x 65 x 45 (approx.).

Artbank 4Prototype for Sophisticated Living No 1. Mirror tiles, wood, skateboard woods. 65 x 65 x 45 (approx.)

Artbank 6

Superwheels. Mirror tiles, wood, skater wheels.

Artbank 7

I am one of God’s mistakes. Part of Superlost exhibition. Mirror perspex, wood.

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Super Suspended 2. Mirrored tiles, skate wheels, various materials. 2016

Based on the Continuous Monument by Superstudio. Background taken from Cite de I’Architecture et du Patrimoine.

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Supershoe 2. (Woman’s Nike Sky Dunk Hi Essential). Jelutong wood, Mirror tiles. 2017

Artbank 10Installation view. Exhibition Carlton Hotel & Studios.

Artbank 11The Death of Architecture (Superstudio: The Continuous Monument). Metal Staples, wood, skater wheels. 2016

Artbank 12Prototype for Sophisticated Living No 3. Adidas soccer ball, wood, fake fur

Artbank 13

Supershoes. Mirror tiles, wood. Nike Shoes. Begun 2008. Completed 2017

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Less is More. Mirror perspex on wood. 2017

The Death of Architecture (Superstudio: The Continuous Monument)

Posted in The Death of Architecture (Superstudio: The Continuous Monument) by Glenn Walls on August 28, 2016

Stapler Monument 1The Death of Architecture (The Continuous Monument). Metal staples & Skateboard wheels. 2016

Stapler Monument 2The Death of Architecture (The Continuous Monument). Metal staples & Skateboard wheels. 2016

Continuous MonumentSuperstudio, The Continuous Monument. Never constructed 1969 – 71

On top of the world… Il Monumento Continuo, a gridded structure that the Superstudio architects suggested would eventually cover the planet (Glancey, J. 2003).

 

The Death of Architecture (Part 4)

Posted in Uncategorized by Glenn Walls on July 26, 2016

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The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels

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The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels

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The Death of Architecture (Part 4) . Based on Superstudio, The Continuous Monument. Mirrors, mirrored perspex on wood, skater wheels

The Death of Architecture 1

The Death of Architecture (Part 4) Mirrored perspex on wood.

The Death of 3

The Death of Architecture (Part 4) Mirrored perspex on wood.

The Death of Architecture (Part 3)

Posted in The Death of Architecture (Part 3), Uncategorized by Glenn Walls on July 26, 2016

Death 5

The Death of Architecture (Part 3). Mirror perspex, Jelutong wood and wool rug

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The Death of Architecture (Part 3). Mirror perspex, Jelutong and wool rug

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The Death of Architecture (Part 3). Development work. Jelutong

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The Death of Architecture (Part 3). Development work. Jelutong

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The Death of Architecture (Part 3). Development work. Jelutong

The Death of Architecture. Superstudio (Part 1)

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Super Suspended 2. Mirrored tiles, skate wheels, various materials. 2016

Based on the Continuous Monument by Superstudio. Background taken from Cite de I’Architecture et du Patrimoine.

White People

Posted in White People by Glenn Walls on August 12, 2014

White People 7        White People 6

White People 3        White People 1

White People and their Spaces. Mirror acrylic on wood. 2014

More to come…….

What you would see if you were Superstudio….

How to avoid everything

Posted in Uncategorized by Glenn Walls on February 6, 2014

How to avoid everything booklet

How to yellow 2

How to avoid everything booklet 1

How to avoid everything booklet 2

Glenn Walls, How to avoid everything, Yellow booklet, Perspex,

10 x 15 cms, 2014

Works

Posted in Works by Glenn Walls on July 14, 2013

Super Wheels

Superwheels. Mirror tiles, skateboard wheels. 2013

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Prototype for Sophisticated Living No 4. Balsa wood, paint, 2007 -13

I am Anonymous 2

I Am Anonymous. Mirror perspex, wood. 120 x 240 cms. 2007 – 13

Life without Objects

Posted in Life without Objects by Glenn Walls on January 29, 2012

Book covers. Installation view.

Includes (lower right hand side): Shelter. Le Corbusier, Unité d’Habitation ( Version 1). Perspex on wood. 2012. 19 x 29 cms (study for larger work)

Prototype for Sophisticated Living No 1 (Version 2). Mirror tiles, skateboard wheels. 65 x 65 x 45 (approx.). 2007/2012

Book covers. Installation view. Front sculpture: Hoodwink (after Sean). Jelutong, Mirror perspex, Mirror tiles, white tape. 2012. (Prototype)

Shelter. Le Corbusier, Unité d’Habitation ( Version 1). Perspex on wood. 2012. 19 x 29 cms (study for larger work)

Installation view. TCB Inc. Untitled (Baseball Bats). Baseball bats and mirror tiles. Dimension variable. 2012

Book covers. Installation view.

Includes: Shelter. Le Corbusier, Unité d’Habitation ( Version 1, study for larger work), Everything Popular is Wrong, All Art Is Useless. Perspex on wood. 2012. 19 x 29 cms. 2012

Hoodwink (after Sean). Jelutong, Mirror perspex, Mirror tiles, white tape. 2012 (Prototype)

Life without Objects.

Opening Wednesday 15th February 2012

6 – 8pm

TCB

12 Waratah Pl  Melbourne VIC 3000. Wed – Sat 12 noon – 6pm

Exhibition dates: 15 Feb – 3 March

The Grid. Le Corbusier, Unite d’Habitation 1946 – 52. 2011 & 2012

Posted in The Grid by Glenn Walls on February 20, 2011

The Grid. Le Corbusier, Unite d’Habitation 1946 – 52 Vs Superstudio. Ink on paper. 2012

Shelter (Aboriginal Flag). Le Corbusier, Unité d’Habitation ( Version 1). Perspex on wood. 2012. 19 x 29 cms (study for larger work)

The Australian Aboriginal Flag is a flag that represents Indigenous Australians. It was designed in 1971 by Aboriginal artist Harold Thomas, who is descended from the Luritjapeople of Central Australia and holds Intellectual propertyrights in the flag’s design. The flag was originally designed for the land rights movement, and it became a symbol of the Aboriginal people ofAustralia.

The symbolic meaning of the flag colours (as stated by Harold Thomas) is:

  • Black: Represents the Aboriginal people of Australia
  • Red: Represents the red earth, the red ochre and a spiritual relation to the land
  • Yellow: Represents the Sun, the giver of life and protector