Why Bother
Why Bother. (Woman’s Nike Sky Dunk Hi Essential). Jelutong wood, mirror perspex, yellow paint. 2017
Glenn Walls – SUPER CREATIVE GRID
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Categories
- Architects
- Dead Artist/Dead Art
- Death by Apple
- Death of Architecture: Farnsworth House (Part 2)
- Digital
- Domestic Scale
- Going home (Digital prints)
- Going Home (Part 2)
- How to avoid everything
- How to avoid modernism (Video installation)
- How to Avoid odernism -Ulises Carrión
- Humanising Le Corbusier
- I am Australian
- I never can say goodbye
- I never can say goodbye (Part 2)
- LGBTQI+. Persecuted.
- Life without Objects
- Massacre
- Men (Video installation)
- National Pride
- Pandemic architecture
- Philip Johnson
- Projects for Total Urbanisation
- Prototype for Sophisticated Living 1 (Broke exhibition)
- Prototype for Sophisticated Living 3
- Prototype for Sophisticated Living 4 (Team Australia) Curated by Veronica Tello. Part 2
- Sophisticated Living 4 (Team Australia)
- Super – Barcelona Pavilion
- Super – Beat
- Super – I want to dance with somebody
- Super – New World Order
- Super – Nothing for Me
- Super – Overwhelming
- Super – Perfect Lovers
- Super – Queer City
- Super Mobile (Superstudio: The Continuous Monument 1969)
- Super Pride (Superstudio – The Continuous Monument
- Super Spreader
- Super Suspended
- Super: I keep dancing on my own
- Superlost
- Superlost again
- Text Me
- The Death of Architecture (Part 3)
- The Death of Architecture (Superstudio: The Continuous Monument)
- The Death of Architecture: Superstudio (Part 1)
- The Grid
- Uncategorized
- We don't embroider cushions here
- Why Bother
- You
Contact:
Less is a bore. Consume more series.
Glenn Walls - SUPER CREATIVE GRID 
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