Glenn Walls – SUPER CREATIVE GRID

Architects

Posted in Architects by Super on April 21, 2014

Architects 3

Architects 2

Architects 4

Architects 5

Architects, 2014

Large scale bookcovers

Posted in Large Scale Bookcovers by Super on April 21, 2014

Self and Boring Others

Glenn Walls. Self and Boring Others, Perspex on wood. 2014

No Difference At All - Uganda

Glenn Walls. No Difference at all. Perspex on wood. 2014.

No Difference At All is based on R. D. Laing 1961 book, Self and Others (seen in the top work). Eminent Italian graphic designer Germano Facetti designed the cover. R.D. Laing was a Scottish psychiatrist who wrote extensively on mental illness. The World Health Organisation considered homosexuality a mental illness until 1993. Using Facetti design of Laing’s book cover, No Difference At All highlights that sexual preference within the LGBTI community is no longer considered a mental illness by most western countries, however countries such as Uganda recently have imposed harsh anti gay laws and continue to label it as a mental disorder. The three circles are the colour of the Uganda flag. The red circle of the work is a mirror where we see a reflection of ourselves, noting that there is no difference at all, legally or medically between any of us. We are all the same no matter what our sexual preference may be.

Humanising

Posted in Humanising Le Corbusier by Super on March 2, 2014
Humanise Le Corbusier 2
Glenn Walls. Humanising Le Corbusier. Plan Voisin for Paris. 2014

Le Corbusier

Le Corbusier (Charles-Édouard Jeanneret). Plan Voisin for Paris. 1925.

LC 3.1

Glenn Walls. Humanising Le Corbusier. Plan Voisin for Paris. 2014

The Plan Voisin is a solution for the center of Paris, drawn between 1922 and 1925 by Le Corbusier. 
The plan for 1925 seems to be a direct transposition of the diagram of Contemporary City for three million 
drawn in 1922. Included are buildings available in a regular orthogonal grid occupying a very important part 
of the right bank of the Seine. The space is highly structured with two new traffic arteries pierced through 
the city, one on the east-west, the other on a north-south. Their role is not limited to the organization of 
Paris, as were the advances of Haussmann: they pass through the fortifications and the suburban area. They 
have the ambition to link the capital to the four corners of the country, the major French and European cities. 
The crossroads at the intersection of these two avenues is the center of the plan, the center of the city 
in central France. (http://densityatlas.org/casestudies/profile.php?id=99)

How to avoid everything

Posted in Uncategorized by Super on February 6, 2014

How to avoid everything booklet

How to yellow 2

How to avoid everything booklet 1

How to avoid everything booklet 2

Glenn Walls, How to avoid everything, Yellow booklet, Perspex,

10 x 15 cms, 2014

I am Australian

Posted in I am Australian by Super on November 21, 2013

I am Australian Final 2

I am Australian. I will wear black until something blacker comes out. Perspex on wood. 2014 (study for larger work).

I am Australian. I will wear white until something whiter comes out. Perspex on wood. 2013/14 (study for larger work).

I am Australian is based Marcel Duchamp cover design for the Surrealist oriented publication Minotaure No 6, 1934. Minotaure was published between 1933 and 1939. The magazine focused on articles relating to Surrealist principles and theories, architecture and also contained the first published essays of the famed French psychiatrist and philosopher, Jacques Lacan (Vol. 1 & 4). Duchamp cover utilizes modernist principles of simplicity and lent itself to the redesign of the aboriginal flag. Alfred Deakin was Australia’s second prime minister and instrumental in the writing of the White Australia policy.

How to Avoid Everything. Theoretical Book Covers 2013

Posted in How to avoid everything by Super on April 17, 2013

 

How to avoid 3

How to avoid being you. Hiding your being in the built environment. Perspex on wood. 2013

How to Avoid Modernism – Ulises Carrión

Posted in How to Avoid odernism -Ulises Carrión by Super on December 3, 2012

Carrion 6

How to Avoid Modernism – Ulises Carrión

Pencil on Graph paper. 2012

Ulises Carrión is credited with being one of the first artists to write a general theory about artists’ books. His influential essay, ‘The New Art of Making Books,’ written in 1975, analyzes the traditional form of books in the context its tactile, visual, and intellectual merits. Carrión’s work with visual and concrete poetry expanded the use of the book as a medium for artistic expression that uses the page as an alternative gallery space.

The above information is taken from the following website:

http://www.library.vcu.edu/jbc/speccoll/davidetcarrion.html

Posted in Life without Objects by Super on January 29, 2012

LIFE WITHOUT OBJECTS

TCB Inc, MELBOURNE

15 February – 3 March, 2012

12 Waratah Place,  Melbourne VIC 3000.

Website: https://tcbartinc.org.au/content/tag/glenn-walls/

 

Glenn Walls. All art is quite useless. Oscar Wilde. Perspex on board. Bitch Architecture. Perspex on board. 29 x 42 cms (A3).

 

Glenn Walls. Prototype for Sophisticated Living No 1 (Version 2). Mirror tiles, skateboard wheels. 65 x 65 x 45 (approx.). 2007/2012

 

Glenn Walls. Installation view. TCB Inc. Untitled (Baseball Bats). Baseball bats and mirror tiles. Dimension variable. 2012

 

Glenn Walls. Hoodwink (after Sean). Jelutong, Mirror perspex, Mirror tiles, white tape. 2012 (Prototype)

 

The Grid. Le Corbusier, Unite d’Habitation 1946 – 52. 2011 & 2012

Posted in The Grid by Super on February 20, 2011

Glenn Walls. The Grid. Le Corbusier, Unite d’Habitation 1946 – 52 Vs Superstudio. Ink on paper. 2012