No Logo
Take the cash and run. No Logo. (Advertisement for Shell Oil company comparing their state of art house building materials to the “primitive” building materials used by indigenous Australians. Architecture and Arts magazine, 1957). Perspex on printed board. 32 x 86 cms. 2020.
Take the cash and run. No Logo. (Advertisement for Shell Oil company comparing their state of art house building materials to the “primitive” building materials used by indigenous Australians. Architecture and Arts magazine, 1957). Perspex on printed board. 32 x 86 cms. 2020.
Take the cash and run. No Logo. (Advertisement for Shell Oil company comparing their state of art house building materials to the “primitive” building materials used by indigenous Australians. Architecture and Arts magazine, 1957). Perspex on printed board. 32 x 86 cms. 2020.
Glenn Walls. No Logo (I will wear…..). Pencil on paper. 2020
Glenn Walls. My Country. Perspex on wood. 2020
Glenn Walls. My Country, (Based on Rudolph deHarak). Perspex on wood. 2020
My Country Burns
My Country. Perspex on board. 2020
My Country. Perspex on board. 2020
Based on the book cover designs by Rudolph deHarak.
Not quite what it seems. Book Titles
Queer interventions – Book titles. Digital print. 2019.
Queer interventions – Book titles. Digital print. 2019 (Detail).
Land interventions -Book titles. 2019
Land interventions -Book titles. 2019 (detail).
I am Australian
I am Australian. I will wear black until something blacker comes out. Perspex on wood. 2014 (study for larger work).
I am Australian. I will wear white until something whiter comes out. Perspex on wood. 2013/14 (study for larger work).
I am Australian is based Marcel Duchamp cover design for the Surrealist oriented publication Minotaure No 6, 1934. Minotaure was published between 1933 and 1939. The magazine focused on articles relating to Surrealist principles and theories, architecture and also contained the first published essays of the famed French psychiatrist and philosopher, Jacques Lacan (Vol. 1 & 4). Duchamp cover utilizes modernist principles of simplicity and lent itself to the redesign of the aboriginal flag. Alfred Deakin was Australia’s second prime minister and instrumental in the writing of the White Australia policy.
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