Massacre – Bodies the Matter: the mapping of queer violence in Sydney, Australia between 1970 and 2010
Published November 2024. Taylor & Francis. International Journal of Cartography.
https://www.tandfonline.com/doi/full/10.1080/23729333.2024.2419692
ABSTRACT
Between the 1970s and early 2000s, before queer visibility came to the fore in Sydney, many people living under heteropatriarchy developed ways to interact at queer sites. Unintelligible to the mainstream cultural imagination, the connections enabled by these sites allowed queer life to flourish. However, when they became known to other social groups the sites became epicentres of catastrophic violence, linked to 88 murders. Drawing on Vinicius Almeida’s (2022) concept of queer cartography, this article discusses an ongoing series of artworks titled Massacre – Bodies That Matter that challenges the heteronormativity embedded in urban space and highlights the violence inflicted on a marginalised group who during this period were fighting for their human right of recognition. Aided by religious organisations and institutions that denounced queer life as unacceptable to mainstream society, a collective of individuals and gangs took it upon themselves to rid society of this supposed abhorrent scrouge. In identifying forgotten queer spaces, mapping can explore the intersection of queer identity and violence. The article and artworks argue for the legitimacy of queer life, addressing the extent of violence perpetrated against the LGBTQI+ community in Sydney in the period discussed. This contributes to a more comprehensive understanding of the historical and spatial dimensions of violence against the LGBTQI+ community, which extends to a consideration of the reductive aesthetic language of modernist maps obscure a problematic relationship to identity and sexuality.
“Our blood runs in the streets and in the parks and in casualty and in the morgue
Our own blood, the blood of our brothers and sisters, has been spilt too often …
Our blood runs because in this country our political, educational, legal and religious systems actively encourage violence against us …”
- One in Seven Manifesto, Sydney Star Observer, April 5, 1991 (Sydney Star Observer, 1991).
Keywords
LGBTQI+ visibility, queer violence, queer cartography, Sydney queer hate crimes.
Link to the full research paper below.
https://www.tandfonline.com/doi/full/10.1080/23729333.2024.2419692

Glenn Walls. Massacre (after Felix). Digital Print on 4 × A3 paper stacks. 2018/2024.
Cite this paper.
Walls, G. (2024). Massacre – Bodies the Matter: the mapping of queer violence in Sydney, Australia between 1970 and 2010. International Journal of Cartography, 1–22. https://doi.org/10.1080/23729333.2024.2419692
Forever Young. Installation view.

Glenn Walls. Untitled (Take a look at the law man beating up the wrong guy). Metal plate, paper stack. 2022. Words are taken from David Bowie’s 1971 – 73 song “Life on Mars”.
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Forever Young
Violence against LGBTQI people continues with the recent shooting inside and outside a gay nightclub in Oslo, Norway in the early hours of Saturday 25th June 2022

Glenn Walls. Untitled (Take a look at the law man beating up the wrong guy). Metal plate, paper stack. 2022. Words are taken from David Bowie’s 1971 – 73 song “Life on Mars”.

Glenn Walls. Untitled (Forever Young. Marsha P. Johnson). Digital print. 2022. Words are taken from the 1984 Alphaville song “Forever Young”.
Forever Young is a continuation of the series “Massacre – Bodies that Matter” from 2018 – 2019.
Violence against LGBTQI people continues with the recent shooting inside and outside a gay nightclub in Oslo, Norway in the early hours of Saturday 25th June 2022.
More works to follow.
https://www.abc.net.au/news/2022-06-25/norway-nightclub-shooting-police-possible-terrorism/101183546

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