Glenn Walls – SUPER CREATIVE GRID

In the future, everything will be hysterical (Video)

Posted in In the future, everything will be hysterical (Video) by Super on February 5, 2022

Glenn Walls. In the future, everything will be hysterical. Video. Filmed on location at Walter Gropius Bauhaus building 1925 – 1926. Dessau, Germany. 2022.

Glenn Walls. In the future, everything will be hysterical. Video. Filmed on location at Walter Gropius Bauhaus building 1925 – 1926. Dessau, Germany. 2022.

Glenn Walls. In the future, everything will be hysterical. Video. Filmed on location at Walter Gropius Bauhaus building 1925 – 1926. Dessau, Germany. 2022.
Glenn Walls. In the future, everything will be hysterical. Video. Filmed on location at Ludwig Mies Van Der Rohe, Neue Nationalgalerie (New National Gallery), 1965 – 1968. Berlin. 2022.

In the future, everything will be hysterical (Digital)

Posted in In the future, everything will be hysterical by Super on February 5, 2022

Glenn Walls. Fear is not real. It is only a feeling assigned to predictions of the future (Nick Cave – Artist). Digital photograph. Photographed on location at Ludwig Mies Van Der Rohe, Neue Nationalgalerie (New National Gallery), 1965 – 1968. Berlin. 2022.

Glenn Walls. Less is a bore, consume more. Digital photograph. Photographed on location at Ludwig Mies Van Der Rohe, Neue Nationalgalerie (New National Gallery), 1965 – 1968. Berlin. 2022.

Glenn Walls. Modernist architecture is such a lie. Digital photograph. Photographed on location at Ludwig Mies Van Der Rohe, Neue Nationalgalerie (New National Gallery), 1965 – 1968. Berlin. 2022.

Glenn Walls. There is nothing there. Digital photograph. Photographed on location at Ludwig Mies Van Der Rohe, Neue Nationalgalerie (New National Gallery), 1965 – 1968. Berlin. 2022.

Super – Nothing for Me

Posted in Super - Nothing for Me by Super on February 13, 2021

Nothing for Me centres on redefining the masculine/heterosexual dominance of modernist and not so modernist structures and spaces and present and realigns it with a sexual minority and citizens who would never have access to these forms of architecture. By utilizing the language of modernism that created clean, clinical spaces, free of interpretation, this photographic series counteract the seemingly accepted view of modernist design and continues my interest in how society continues to humanise modernist/minimalist theory and practice to reflect an interpretation of the individual relating to identity and sexuality. 

The photographic works consist of images of my father in front of his house. These images were taken over various years starting in 2011 and is an ongoing project. Each image is juxtaposed with an image of famous modernist houses.  

Glenn Walls. Le Corbusier designed nothing for me. Archival inkjet print. 2011 – 2020. Photographed on location in Australia.

Glenn Walls. Le Corbusier designed nothing for me. Archival inkjet print. 2013. Photographed on location at Le Corbusier Villa Savoye 1928, Poissy (near Paris), France

Glenn Walls. Harry Seidler designed nothing for me. Archival inkjet print. 2019. Photographed on location in Australia

Glenn Walls. Modernist architecture is a lie. Archival inkjet print. 2019. Photographed on location at Ludwig Mies van der Rohe & Lilly Reich, Barcelona Pavilion 1929, Barcelona Spain.

Glenn Walls. Robin Boyd designed nothing for me. Archival inkjet print. 2019. Photographed on location in Australia

Glenn Walls. Ludwig Mies van der Rohe designed nothing for me. Archival inkjet print. 2019. Ludwig Mies van der Rohe Farnsworth House 1949 – 51, Plano, Illinois United States.  

Glenn Walls. A dollop of Modernism does everyone good. Archival inkjet print. 2019. Photographed on location at Melton, Victoria Australia

Glenn Walls. A dollop of social justice does everybody good. Archival inkjet print, 2017. Photographed on location at Palace of the Parliament 1984 -1997, Bucharest Romania.

Glenn Walls. A dollop of architectural madness does everyone no good. Archival inkjet print, 2017. Photographed on location at Palace of the Parliament 1984 -1997, Bucharest Romania.

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