Glenn Walls – SUPER CREATIVE GRID
Archives
- December 2020
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- December 2019
- November 2019
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- August 2016
- July 2016
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- May 2015
- August 2014
- April 2014
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- December 2013
- November 2013
- July 2013
- April 2013
- December 2012
- January 2012
- July 2011
- June 2011
- February 2011
- June 2010
- January 2009
- December 2008
- July 2008
Categories
- A dollop of Modernism does everybody good
- Architects
- Dead Artist/Dead Art
- Death by Apple
- Death of Architecture: Farnsworth House (Part 2)
- Digital
- Domestic Scale
- Going home (Digital prints)
- Going Home (Part 2)
- Green
- How to avoid everything
- How to avoid modernism (Video installation)
- How to Avoid odernism -Ulises Carrión
- Humanising Le Corbusier
- I am Australian
- Large Scale Bookcovers
- LGBTQI+. Persecuted.
- Life without Objects
- Massacre
- Men (Video installation)
- Modern Art for Government Offices
- My Country Burns
- National Pride
- New World Order
- No Logo
- Not quite what it seems – Book Titles
- Pandemic architecture
- Philip Johnson
- Projects for Total Urbanisation
- Prototype for Sophisticated Living 1 (Broke exhibition)
- Prototype for Sophisticated Living 3
- Prototype for Sophisticated Living 4 (Team Australia) Curated by Veronica Tello. Part 2
- Retrospective
- Sophisticated Living 4 (Team Australia)
- Super crushed
- Super Glory Hole
- Super Mobile (Superstudio: The Continuous Monument 1969)
- Super pride – A single piece of queer architecture
- Super Suspended
- Super: I keep dancing on my own
- Superlost
- Superlost again
- Superlost Again 2011
- Text Me
- The Death of Architecture (Part 3)
- The Death of Architecture (Superstudio: The Continuous Monument)
- The Death of Architecture: Superstudio (Part 1)
- The Grid
- Uncategorized
- We don't embroider cushions here
- White People
- Why Bother
- Woman of the Bauhaus
- Works
- You
Contact:
Less is a bore. Consume more series.
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