Book covers. Installation view.

Includes (lower right hand side): Shelter. Le Corbusier, Unité d’Habitation ( Version 1). Perspex on wood. 2012. 19 x 29 cms (study for larger work)

Prototype for Sophisticated Living No 1 (Version 2). Mirror tiles, skateboard wheels. 65 x 65 x 45 (approx.). 2007/2012

Book covers. Installation view. Front sculpture: Hoodwink (after Sean). Jelutong, Mirror perspex, Mirror tiles, white tape. 2012. (Prototype)

Shelter. Le Corbusier, Unité d’Habitation ( Version 1). Perspex on wood. 2012. 19 x 29 cms (study for larger work)

Installation view. TCB Inc. Untitled (Baseball Bats). Baseball bats and mirror tiles. Dimension variable. 2012

Book covers. Installation view.

Includes: Shelter. Le Corbusier, Unité d’Habitation ( Version 1, study for larger work), Everything Popular is Wrong, All Art Is Useless. Perspex on wood. 2012. 19 x 29 cms. 2012

Hoodwink (after Sean). Jelutong, Mirror perspex, Mirror tiles, white tape. 2012 (Prototype)

Life without Objects.

Opening Wednesday 15th February 2012

6 – 8pm

TCB

12 Waratah Pl  Melbourne VIC 3000. Wed – Sat 12 noon – 6pm

Exhibition dates: 15 Feb – 3 March

Glenn Walls. Ludwig Mies van der Rohe designed nothing for me, Ludwig Mies van der Rohe, Barcelona Pavilion, 1929), Digital Print, 2011

Shot on location at Ludwig Mies van der Rohe, Barcelona Pavilion  (1929), Barcelona, Spain. September 2011

Democracy in America. From barbarism to decadence without civilisation in between. Perspex on wooden board. Version 1, 29 x 42 cms, 2011

If you are not too long, I will wait here for you all my life. Perspex on wooden board. Version 1, 29 x 42 cms, 2011

Bigamy is having one husband to many. Monogamy is the same. Perspex on wooden board. Version 1, 29 x 42 cms, 2011

Everything Popular is Wrong. Power and Participation in Contemporary Architecture. Perspex on wooden board. Version 1, 29 x 42 cms, 2011

Chronic Psychoses and Recovery from Modernist Theory. Perspex on wooden board. Version 1, 29 x 42 cms, 2011

All art is quite useless. New Directions in African Architecture. Perspex on wooden board. Version 1, 29 x 42 cms, 2011

Superlost Again 2011

John Buckley Gallery

13 July – 6 August 2011

Glenn Walls. Le Corbusier designed nothing for me. Digital print. 2011. Part of the Going Home (Part 2) series

Modernist architects Ludwig Mies van der Rohe and Le Corbusier proposed buildings intended for an ordered, structured life and contemplative viewing. What attracted me to their domestic buildings were their pure forms, cleanliness, timelessness and strong sense of interplay between masculine/feminine and public/private space. I only know these architects’ works via books, documentaries and the web; I am from the suburbs, raised without connection to modernist architecture. My work seeks ways to link my experiences of domestic buildings with the pure forms and theories of these architects. To achieve this I have photographed my father outside his house. Through research, experimentation and production I link these spaces through the use of text, white electrical tape, human figures and objects, into the public/private spaces of Mies and Le Corbusier.

Glenn Walls. My other house is modernist. Digital print. 2011. Part of the Going Home (Part 2) series

The Grid. Le Corbusier, Unite d’Habitation 1946 – 52. Biro on paper. 2011

Shelter (Aboriginal Flag). Le Corbusier, Unité d’Habitation ( Version 1). Perspex on wood. 2012. 19 x 29 cms (study for larger work)

The Australian Aboriginal Flag is a flag that represents Indigenous Australians. It was designed in 1971 by Aboriginal artist Harold Thomas, who is descended from the Luritjapeople of Central Australia and holds Intellectual propertyrights in the flag’s design. The flag was originally designed for the land rights movement, and it became a symbol of the Aboriginal people ofAustralia.

The symbolic meaning of the flag colours (as stated by Harold Thomas) is:

• Black: Represents the Aboriginal people of Australia
• Red: Represents the red earth, the red ochre and a spiritual relation to the land
• Yellow: Represents the Sun, the giver of life and protector

Glenn Walls, Duel Meaning of Things, 2009. Exhibited at Westspace Sept 2009. Part of the Superlost series.

Glenn Walls, Duel Meaning of Things, 2009                  Superstudio, The Continuous Monument, 1968 -71

Quaderna designed by Superstudio, 1970. Reworked for Superlost installation 2010. Back image taken from Zonatta Magazine.

Superlost. Exhibited at RMIT Project Space and Spare Ro0m, 2010

Team Australia. Group show at the Carlton Hotel and Studios. December 2008

Team Australia is:
jeremy drape, emily ferretti, veronica kent, annika koops, brendan lee, natalie ryan, utako shindo, jackson slattery, salote tawale, glenn walls

Curated by Veronica Tello

Prototype for Sophisticated Living 3 exhibited at RMIT gallery, December 2008